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By Katsuhiro Otomo

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Chen 1996; Huang 1981). More likely, they came out of the late nineteenth and early twentieth centuries. Kuiyi Shen (1997, 3) attributed the introduction of lithography to China as the stimulus for development of an embryonic form of lianhuanhua, claiming that an illustrated narrative about the Korean rebellion in a 1884, Dianshizai Pictorial, may have been the first. Chapter 2 China 31 32 However, this story was not published as a separate “book”; the first example of that format appeared in 1916, when the newspaper Caobao bound its single-page pictorial into an album (Huang and Wang 1993, 17–18).

Lane, Richard. 1982. Images from the Floating World: The Japanese Print. New York: Dorset Press. Lent, John A. 1989. ” In Handbook of Japanese Popular Culture, edited by Richard Gid Powers and Hidetoshi Kato, 221–42. Westport, CT: Greenwood Press. ———. 1993. ” Asian Culture, Winter: 11–23. ———. 1994. ” In Handbook of Chinese Popular Culture, edited by Wu Dingbo and Patrick D. Murphy, 279–306. Westport, CT: Greenwood Press. ———. 1999. ” Art Asia Pacific, no. 21: 66–71. ———. 2007. ” International Journal of Comic Art 9 (2): 140–86.

Copenhagen: Museum Tusculanum Press. Noey, Christopher, and Janet Temos. 1994. Art from India from the Williams College Museum of Art. Williamstown, MA: Williams College Museum of Art. Oikawa, Shigeru, ed. 1996. Comic Genius: Kawanabe Kyosai. Tokyo: Tokyo Shimbun. Pak Ki-jun. 1980. ” Asian Culture, January: 4. Parton, James. 1877. Caricature and Comic Art in All Times and Many Lands. New York: Harper and Brothers. Peacock, James L. 1968. Rites of Modernization. Chicago: University of Chicago Press.

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